I am a freelance audio describer, providing description for film, TV, live theatre, and educational resources.
In 2019 I completed the VocalEyes Audio Describer training for live theatre, and was trained by Andrew Holland and Roz Chalmers MBE. In September 2020 I started writing AD scripts for films, series and documentaries on a freelance basis for Iyuno (formerly Iyuno-SDI) under the management of Shak Yousaf, having been recruited and comprehensively trained in screen AD by Veronika Hyks.
On the same basis I have continued working on VocalEyes digital AD projects.
Films and Series AD:
• AD script creation for Disney Plus Series:
Single Drunk Female
National Treasure – the Edge of History
LINK: Eat, Love, Kill
• AD script creation for Netflix – films and series:
Animal
Small Engine Repair
Dragonheart – Battle for the Heart Fire
Emily the Criminal
Paper & Glue
Untold: Jake Paul The Problem Child; Johnny Football; Hall of Shame. (series)
Michelle Wolf, It’s Great To Be Here (series)
Love is in the Air
• AD script creation for TCM:
Hollywood’s Best Film Directors (series)
Tom & Jerry (series)
• AD script creation for HBO:
Spy/Master (series)
• AD script creation for Amazon:
The Greatest Show Never Made (series)
• AD script creation for Amazon Prime TTS content: 2020 – 2022
A number of films, series and documentaries only available in the U.S. including:
Films: Midsommar, Pokemon – Detective Pikachu, Below Her Mouth, The Jerk, America’s Sweethearts, Permanent.
Series: Everwood, Chicago PD, Monk, Yellowstone, Two and a Half Men, Nova’s The Planets.
Independent digital content for VocalEyes – scripting and narration of both audio introductions and through description:
- Socially Distant – a film by Big Brum Theatre in Education.
- Wuhan Punk – a film by Chris Zhongtian Yuan with FBU.
- Bakemono – a dialogue-free film by Tristan Nelson at Love Cabin films.
Live AD:
& Juliet at The Shaftesbury Theatre – 2020, 2022, 2023
Happy Days at Riverside Studios – 2021
I also record Audio Introductions for upcoming live theatre performances.
I set up Access & Inclusivity Matters in 2017, and deliver staff training workshops that provide a practical, basics-first approach to Access-focussed customer service.
Previously, I was the Access Officer and Group Sales manager for the Bristol Hippodrome for 24 years.
My pronouns are she/her.
Self image description: I am a white woman in my early fifties of average build and height, with green/blue eyes and long reddish-brown hair.
Flexible rates
Please contact me to discuss pricing options.
Please fill in the form below or contact me directly to discuss any of these options in more detail: info@accessandinclusivitymatters.com